Kamala Harris’ latest “town hall” event with Liz Cheney quickly turned into a display of political theater that managed to be both bizarre and awkward, offering yet another example of Harris' stumbling attempts at authenticity. The event, hosted by Maria Shriver, immediately set the wrong tone when the moderator informed the audience that all the questions had been pre-determined. This admission undercut the very idea of a town hall, a format traditionally meant to provide spontaneous, real-time engagement between politicians and voters. It’s hard to imagine a worse way to start.
Harris’ performance, however, is what truly grabbed the attention of critics, including the Trump campaign. There’s a reason for this. The vice president has developed a reputation for laughing at inopportune moments, and this event only amplified that strange tendency. In an exchange that should have been serious, Harris struggled to maintain her composure, breaking into her signature laughter that seemed out of place and forced. It’s become increasingly clear that Harris suffers from what might be best described as “theater kid syndrome”—the inability to convincingly play the political role she’s been cast in. Her inauthenticity is glaringly obvious, and every attempt to stay in character only heightens the awkwardness.
Is Kamala ok? pic.twitter.com/4VVFVuQQpT
— Trump War Room (@TrumpWarRoom) October 22, 2024
Take, for example, a particularly telling moment when Harris, after a dramatic pause, declared:
“In many, many ways, Donald Trump is an unserious man. But the consequences of him being president of the United States are brutally serious.”
Her delivery sounded rehearsed, scripted to the point of sounding artificial. There’s an undeniable difference between preparing to speak and sounding like a poorly-rehearsed actor, and unfortunately for Harris, she landed squarely in the latter category. It didn’t help that Shriver had already informed the audience that Harris knew the questions in advance, cementing the perception that every word from the vice president was a pre-packaged soundbite.
KAMALA: "We cannot despair. The nature of a democracy is such that I think there is a duality..." pic.twitter.com/rHM2rbA17G
— Breaking911 (@Breaking911) October 21, 2024
The problem with such a robotic approach is that it strips any real emotion or relatability from the message. People connect with authenticity, not with someone who delivers their lines as though auditioning for a part. Harris, however, consistently misses this memo, leaving her to come across more like a stern schoolmarm than a leader with a compelling vision.
Meanwhile, Liz Cheney’s body language was a spectacle of its own. Throughout the town hall, Cheney looked checked out, gazing off into space, her eyes darting around the room as if searching for an escape. Her exasperation was palpable, her demeanor revealing the extent of her regret. Each rehearsed answer from Harris likely chipped away at Cheney’s political ambitions, as she realized that her ill-fated alliance with the vice president was leading her toward an inevitable downfall.
Watch Liz’s face … she thinks Kamala is a moron but now it’s too late. She’s all in. pic.twitter.com/iXKH6UTmFG
— The🐰FOO (@PolitiBunny) October 21, 2024
For Cheney, the consequences of this misstep could be far-reaching. It’s hard to imagine how her partnership with Harris might pay off politically. She may have been promised something by the administration, but judging by the look on her face, even she knows that whatever future she envisioned is slipping away. Cheney’s path is set, and one final, humiliating chapter may soon be written in her political story.
The look on Liz Cheney's face when it starts to dawn on her that there's not going to be a Harris administration for her to get a job in. pic.twitter.com/cZJaCahnae
— RBe (@RBPundit) October 21, 2024